Which filmmakers are notably associated with the Soviet Montage movement?

The Soviet Montage movement is primarily associated with the innovative editing techniques and radical narrative styles developed by filmmakers during the early Soviet era, particularly in the 1920s and 1930s. Sergei Eisenstein is one of the most influential figures in this movement, known for his theory of montage and films like "Battleship Potemkin," where he employed editing to create emotional responses and convey ideological messages. Dziga Vertov is another key figure, renowned for his work on documentary films and his use of montage to represent reality and the dynamism of modern life, as seen in his film "Man with a Movie Camera."

These filmmakers emphasized how the arrangement of shots could create meaning beyond the individual images, making them seminal contributors to the development of cinematic language. In contrast, the other pairs of filmmakers listed are great in their own right but are not typically linked to the Soviet Montage movement or its foundational principles. The recognition of Eisenstein and Vertov as central figures emphasizes the movement's impact on film theory and practice, and their legacy continues to influence filmmakers around the world today.